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#11
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That is okay. I am not saying people shouldn't do it.
It is just a very narrow niche market and you just have to accept the majority of people aren't going to wait around. There will always be someone that likes it because we are diverse. BTW I consider myself to have a wide taste of music and I willing to give anything a listen, I don't think I have a closed mind, but I am opinionated. |
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#12
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Not if you number them like I do. ....I just checked - I "put the needle down" in the middle of the YouTube video - referred to my piano in order to name the actual pitches - the predominant chords were E flat major and C minor - ie Chords I & VI in E flat. Quote:
Well, I see what you mean, but - if it were my choice and if I wanted people to concentrate on the music and not on the screen - I'd use a single still photograph throughout or perhaps even a simple texture (or just post an audio file instead). I'm not daft enough to think there's anything wrong with combining music and visuals - it's just that (to me) that's an utterly different thing from presenting music on its own - and it seems to me that, when there's something to look at, the music is inclined to take the back seat. |
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#13
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There are a number of composers that are very mainstream who started out their music on improv and/or still improvise today. Off the top of my head I know Minus the Bear used to have atleast 2 of it's members in a band called Sharks Keep Moving, which was an instrumental improv band in like 2000. Daft Punk, and Paul Oakenfold (and just about every true DJ) for example both improv on at their live shows TMK. And you might allready know this, but the 3-4 minute tracks that we know as songs today, started out as demos for improv bands. They would take the best 3-4 minutes of their real songs, which were more like 15 minute quasi-improvised songs, and put them on a track to advertise themselves for concerts/gigs. They would play the real song live though. Thanks, glad such a skeptic thinks so lolQuote:
Also excuse me, because I thought you said IV, not VI. You make alot more sense now hehe. Personally I consider the Eb chord you're talking about as a variation of C minor because I am playing in C in the right hand. But then I do go to G in the right hand, which would be the V I mentioned. Also because I don't know the blues scale transposed from Eb . lol.How much do you know about theory? I don't know much, but I do know Eb major is C minor's relative major (and the C blues scale strongly resembles Cm7). And thus the difference between the two (Cm and Eb) is even more semantic than most other chord comparisons. Also, you might know this already, but the left hand sometimes doesn't play the home key so it's not always as clean cut as looking at a single chord to determine what key that chord is in. Some jazz musicians actually suggest omitting the home key more often than not to avoid repetition feelings. But rather, save it for cadences. Quote:
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Last edited by venik; 03-19-2010 at 07:55 PM. |
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